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For a vacationer and onetime South Africa-based correspondent watching motorboats carve pristine wakes across the expanse of the Keurbooms River lagoon, it nearly seemed as if the white minority has been given a free cross to a future once outlined by its leaders as a looming apocalypse.

Orange Farm, Sedibeng, Siyathemba township in Balfour, Leandra, Lesilie, Oogies, Accornhoek close to Bushbuckridge, Chochocho close to White River in Mpumalanga, Protea-Glen, Dobsonville-Gardens in Soweto, Ennerdale in High quality City, Reiger Park within the East Rand, Parys, Diepsloot, Attridgeville and Mamelodi - all names of service delivery protest hotspots culled from recent press experiences. Whereas I can not place all these towns on a map (and am not even positive that some usually are not colloquial names for the same place) it appears clear that there is an unfolding disaster of governance in many of South Africa's 283 municipalities , particularly within the poorest, semi-rural communities.

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The book is an illustration of the evolution of Louis Vuitton stores over the previous decade and the brand identity that runs like a vein by way of every store, regardless of variations in years and places. A particular spotlight of the book is Jun Ayoki's Omotesando, Japan location built in 2002, whose moiré-like exterior of layered glass and steel mesh marked a seminal moment for Louis Vuitton, in response to Mostafavi.

Yayoi Katsuma is having her second in New York from the Chelsea market, to the High Line to the "Screw You" show to The Vuitton shop opening where Katsuma was featured in the 5th Ave windows to the grandeur of a Whitney retrospective. The Japanese polka dot painter remains to be going sturdy regardless of living in an insane asylum. Katsura whose stay nude ladies painted in neon dots shocked us within the sixties is showing at present in New York carrying a yellow and black dot peplum go well with and a hot pink wig a la Zandra Rhodes at posh Louis Vuitton.